This Drifting Poo Was Way Too Meaningful! These Are the TV Letdowns of the Year.

Looking back, we reflect on the television landscape of the recent year, a handful of shows emerge not for their excellence, but for their spectacular shortcomings. From awkward sequels to confusingly poor documentaries, here are the programmes that had us scratching our heads or simply reaching for the remote.

The 'Sex and the City' Sequel

Where to begin with this divisive spin-off? Burdened with dreadful writing, painful arcs (we demand better for Miranda!), and a mere 71 seconds of beloved Samantha, the show struggled to find its footing. For a moment, as the third season began, it seemed as if it had at last hit its stride. Then arrived an installment all about Seema’s natural deodorant. No wonder the showrunner announced this would be the final season. It concluded on a bum note; the closeup of Miranda’s loo flooded with poo was simply too symbolic. Yet, fans certainly found joy picking apart every single “what on earth?” episode. And as Carrie – once again single – twirled around her palatial townhouse to Barry White, who couldn't let out a little sob?

The Kim Kardashian Drama

‘Can Kim Kardashian act? Of course she can’t.’

But that was almost the smallest of this drama's issues. The subject of a exceedingly uncommon zero star review, it was hard to know where to begin enumerating the problems. The laughably wooden writing? The tedious glorification of affluence and materialism? The almost wilful procession of tropes? Performances so bad they felt almost spiteful? Let’s just say “all of the above” and never speak of this show again. Except, a second season has been ordered, so we’re likely going to have to.

The Charlie Sheen Documentary

Considering the legal troubles, abuse allegations and parental failures, it’s fair to say Charlie Sheen has been a bad boy. Not you’d really have gleaned it from this three-part docuseries which chuckled along at Sheen’s various episodes of self-destructive hedonism while struggling to tell us anything we weren't already aware of. Rather, it felt as if this volatile personality was being pandered to, so any pity this show might evoke should be reserved for the people who have had to suffer close contact with this charismatic but flippant egotist.

The Supercomputer Drama

Naturally we understood it was ridiculous from the get-go: a thriller about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or destroy all of humanity. We stuck with it out of pure admiration for its stars … but by the end, it felt like even they had stopped bothering. One barely reacted when his character died, and the other ultimately hacking Charlie with an axe … in super slow-motion. Talk about giving up the ghost.

The Gangster Drama

Shady figures convening in deserted boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and wants its crime drama back.

In truth, that is unfair on the crime shows of the late 90s. Many look a little dated now, but at least they didn’t endure the embarrassment of having to indulge baffling dialects. But there were plenty of other issues. Primarily that it was just profoundly dull; a dispute over narcotics territory between various cockney picaresques which seemed a bit basic.

The Meghan Markle Series

Given the extent to which she provokes the ire of the nation’s performatively enraged commentators, it’s temptingly easy to admire the Duchess of Sussex’s various forays into quaint homemaking as deliberate provocations. But then you view them and are forced to admit that actually, they might have a point. It’s like watching a homeware magazine animated; a poster for evening drinks with ideas of grandeur; a procession of sleeping dogs, humming beehives, sentimental sayings and forgettable crafting “hacks” you’ll not remember instantly. All supported by immense, mostly unearned wealth. Ugh.

The Beckham Documentary

There are obviously fascinating things to be discussed about both Victoria Beckham and her struggles with vocation, self-image, self-acceptance. But for some reason, this documentary series opted not to explore them. Rather, the viewing was like reading a sales catalogue. She clearly has good reason to bridle at what she describes as her “miserable cow” image. But sadly, she didn’t do herself any favours with this guarded letdown of a series.

The Game Show

It should have been the next big hit – except even more extravagant, with a famous star as a deceased benefactor and a sharp-tongued personality managing her estate. What more could you ask for? As players battled it out, there was plenty of betrayal and arguing. But the rules quickly became bewildering: it’s even now too complicated to explain what precisely was happening. Even more regrettably, we only saw glimpses of the star via prerecorded videos. The series ended up smelling of a production that was trying way too hard to live up to something way beyond it.

Too Much

How do you succeed a show that captured a generation? The pressure was immense for this glitzy romcom about Jessica, a rosy-eyed New Yorker who lands in London with a broken heart. The star seized the opportunity by the horns and was joyous to watch, embodying Jane Austen levels of romantic ideals. But it was all very slick and, ironically, was insufficient. Plus, the sheer amount of celebrity cameos involved felt icky.

The Sketch Show Return

Not good enough to be ‘patchy’.

Given the shrewd inclusion of talented emerging comics, hopes were high. But sadly, most of it didn’t land. A particular sketch was a one-note joke stretched to a husk but recurring in every episode. One star seemed too ready to slip into a well-known irate mode. The behind-the-scenes sketches, in contrast, simply inspired the thought that they should probably have remained in there a while longer.

The Knox Dramatisation

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely showcased the perspective of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the tragic 2007 murder, this isn’t it. The subject matter needed to be handled with care. Instead, the series struggled painfully to find the right voice, lurching from oddly breezy, somewhat mannered farce to ultimately, real-life horror. Twisted? Perhaps. A complete mess? Absolutely.

Prime Target

We love the lead actor … but did we believe him playing the greatest maths genius since, a man so smart he’s on the brink of a discovery that could destabilise society? Nope! This international thriller about government agencies targeting – and killing off – academics honestly got more farcical by the second. Formulaic nonsense.

The Bonnie Blue Documentary

This hagiography followed the online personality renowned for sexual exploits as she undertook her most extreme challenge yet. What on earth would motivate her? What we wanted was far greater examination of her true psyche, plus those of the men in the queue. They could at least have interviewed the legendary mum who appeared to haul her son away from the queue. What we got was disturbing imagery and absolutely no interrogation of her notoriety whatsoever. It's staggering to consider, the filmmaker has a young daughter too.

Abigail Schmidt
Abigail Schmidt

Lucas van der Meer is a digital strategist focused on empowering local economies with technology-driven market solutions.