“Well, the situation is pretty dire here. The guidance we offer all of our clients to invest all their resources into preserved goods and firearms.” This nugget of shrewd guidance comes from the Brain Gremlin – a lab-engineered, talking, spectacled member of the oozy monster mob that swarms Manhattan’s ultra-modern Clamp Tower skyscraper in director Joe Dante’s unhinged continuation Gremlins 2: The New Batch. Superficially, it’s merely an financial suggestion from one monster to another. However, curiously, it’s also pretty solid life advice. Seriously, hear me out.
When situations deteriorate, the biggest mistake you can do is view events with undue solemnity. The Brain Gremlin understands this. In fact, the majority of the fang-bearing creatures that occupy Dante’s chaotic 1990 feature (possibly his finest) possess the same wry, meta sense of humour regarding the hazy boundary separating everyday life and pure pandemonium. It’s a single component of Gremlins 2: The New Batch that keeps me coming back – and as I age, it’s the underlying idea that resonates the most.
Understandably, my connection with this movie wasn’t born on such an philosophical plane. Growing up, we possessed merely a few scratched-up video tapes at home. Part of that group were Gremlins and its sequel, the latter housed in a bulky previously-rented case likely purchased from an non-chain rental store and boasting grimacing beasts on its knackered cover. I was right away smitten and these films did not delay inserting themselves inside my tiny, impressionable mind. After that point, they became an practically routine part of my childhood viewing routine.
Dante’s initial installment commonly garners all the plaudits, thanks primarily due to its legacy as a semi-scary seasonal fave – and to be fair, I’ve watched Gremlins an incalculable number of times. However, its successor rarely gets the same level of lofty appreciation, which feels criminal. As a kid, I’d never miss an opportunity to watch Gremlins 2. During long summer holidays, I’d seclude myself indoors and pop it in. When I acquired my personal TV-VHS combo unit, it stayed in constant rotation in my bedroom. Gradually, it ingrained itself in my mental framework. If my parents noticed this obsession, they appeared unbothered.
As I grew, new understandings rewarded repeat viewings, heightening the enjoyment of watching small emerald creatures happily vandalize a New York high-rise. I learned the ahead-of-its-time development mogul and Clamp Tower owner, Daniel Clamp (John Glover), was based squarely upon future president Donald Trump, with his ginger staff member Marla (Haviland Morris) echoing his one-time partner Marla Maples. Luckily, Clamp possesses greater compassion than his real-life counterpart.
The “end of civilisation” video Clamp plays during the height of creature carnage? I discovered it was based on a genuine “Doomsday” video created by the CNN boss Ted Turner as a contingency for the world really ended. I noticed how Dante took extra pains to film varying versions of a meta sequence where Gremlins seize control of the very film you’re watching. One for cinemas, a separate one for tape and broadcast, each providing a grinning portion of fourth-wall-breaking cultural alchemy prior to the concept being mainstream.
While it was effects expert Rick Baker’s fantastically vile creatures that drew my gaze as a child, this hidden treasure held my interest as an adult. In time, I even spoke to Dante about it myself and he had no qualms informing me he made the movie with the specific aim of mocking those who loved its absurd-yet-genuine predecessor and desired a sequel. “We were going to make fun of the fact you came to see it,” he cheerfully disclosed. This Looney Tunes-esque insubordination and commitment to not take his sequel as seriously as his Warner Bros bosses evidently expected, only made me love it even more.
When I experienced a unexpected loss in the family recently, I was taken aback to discover that, during my deepest grief, all I wanted to do was sit and watch Gremlins 2: The New Batch. Odd, no? Maybe not. The nostalgic calm it furnished was essential to thin out my mind’s sadness sludge – but the stuff it had bestowed upon me as an adult were similarly beneficial.
Like Gremlins running amok in a genetics laboratory, there’s certain elements in life you just are powerless over. Dante knows it. The Brain Gremlin knows it too. Sometimes, you have to follow their example: accept the turmoil, commit your entire being into canned food and shotguns and try not to approach life with excessive gravity.
It’s powerful existential guidance from a most improbable origin – and it’s the reason Gremlins 2: The New Batch will eternally stand as my go-to cinematic solace.
Lucas van der Meer is a digital strategist focused on empowering local economies with technology-driven market solutions.